Reading the Signs
  • Blog
  • Cork
    • Cork City >
      • Derelict Cork
      • Cork City Plaques >
        • Arts & Artists
        • Buildings with Dates >
          • Individual Buildings or Houses >
            • 1847 Blarney St School
            • 1854 Greenmount School
            • 1856 Kyrl's St
            • 1856 Ladyswell Brewery
            • 1860 Cornmarket Arch
            • 1860 Richmond Cottage
            • 1860 Roman St
            • 1864 Butter Market House
            • 1865 Waterworks Chimney
            • 1870 Maryville
            • 1870 St. Paul's Avenue
            • 1871 North Presentation
            • 1874 Courthouse Chambers
            • 1878 Distillery Chimney
            • 1881 Neptune House
            • 1883 Reardens
            • 1888 Waterworks
            • 1889 St. Luke's N.S.
            • 1890 Kennedy Quay
            • 1892 Cork Baptist Church
            • 1894 Jamesville
            • 1895 Courthouse
            • 1896 Dun Desmond
            • 1897 Eye, Ear & Throat Hospital
            • 1900 Lough Hall
            • 1902 Fitzgerald's Park
            • 1913 St. Joseph's N.S.
            • 1914 64 St. Patrick's St
            • 1925 1 Libertas Villas
            • 1926 Capwell P.O.
            • 1928 Castlegreine
            • 1928 College Stream House
            • 1958 Churchfield B.N.S.
            • 1968 Scouthut
            • 1971 Library
            • 1994 McHugh House
          • Developments & Multiple Buildings >
            • 1719 Skiddy's Almhouses
            • 1761 Tuckey St
            • 1766 Millerd Street
            • 1767 James St
            • 1782 Farrens St
            • 1785 Grenville Place
            • 1832 Montenotte Road
            • 1833 Rotunda Buildings
            • 1833 York Terrace
            • 1836 Millfield Cottages
            • 1836 Rockspring Terrace
            • 1837 St. Luke's Place
            • 1853 Eglinton Place
            • 1865 Langford Terrace
            • 1878 College View Terrace
            • 1880 Bellevue Terrace
            • 1880 Bloomfield Terrace
            • 1882 Friar St
            • 1882 St James's Place
            • 1883 Monarea Terrace
            • 1883 Walsh's Square
            • 1886 Madden's Buildings
            • 1889 Marina Villas
            • 1894 Wynneville
            • 1895 St. John's Terrace
            • 1896 Balmoral Terrace
            • 1897 Ophelia Terrace
            • 1898 Centenary Crescent
            • 1898 Tramore Villas
            • 1900 Corporation Buildings
            • 1903 O'Connor Ville
            • 1905 St. Vincent's Terrace
            • 1907 Millview Cottages
            • 1907 Rock View Terrace
            • 1908 Arthur Villas
            • 1915 Morton Villas
            • 1932 Ardfoyle Terrace
            • 1932 Elmgrove
            • 1934 St Joseph's
            • 1940 St Vincent's View
            • 1982 Ardfert
            • 1983 St. John's Square
            • 1994 Red Abbey Court
            • 1999 Adelaide Court
            • 2004 Alexandra Court
        • Cork City Commemorative Plaques
        • Fenian Plaques >
          • Plaques
      • Cork City Timeline
      • Eucharistic Tiles - Cork
      • Cork Wheelguards
      • Grottos in Cork City
      • War of Independence - People >
        • Terence MacSwiney
    • Co. Cork >
      • Grottos in Co Cork
      • Clonakilty Jungle City >
        • Barrister Bill
        • Children's Green Dream
        • Cloich na Coillte Tiger
        • Crocakilty
        • Dufair
        • Horny Bill
        • Make Us Safe (Lucy)
        • Old Mill Car Park
        • 8/9 Pearse St
        • 26/27 Pearse St
        • Precious Tears
        • Taidghín Tiger
        • Tara
        • Wolfe Tone Street Roundabout
  • Not Cork
    • Clare - Ennis YHS Tiles
    • Clare - Co. Clare YHS Tiles
    • Clare - Ennis Grottos
    • Clare - Grottos
    • Kerry - Civil War Memorials
    • Kerry - Grottos
    • Limerick - Civil War Memorials
    • Co. Limerick - YHS Tiles
    • Limerick - YHS Tiles
  • Not Munster
    • Dublin YHS Tiles
    • Co. Galway YHS Tiles
    • Galway City YHS Tiles
    • Co. Mayo YHS Tiles
    • Athlone YHS Tiles
  • Groupings
    • Famine Memorials
    • Irish Words
    • Old Ads
    • Post Boxes
    • Roadside Memorials
    • Ghostsigns
    • ESB Logo, etc
    • Street Art
    • People
    • Songs on Headstones
    • American Headstones
  • Contact
Search the site

MIXED MESSAGES.

Using signs, advertisements and messages as the inspiration for observation and comment - enlightened and otherwise

BLOG

What Connects This Wall with Queen Victoria, Charlie Kerins and Michael Collins?

4/12/2023

0 Comments

 
Picture
Charlie Kerins remains the last I.R.A. member to be condemned to death by the state and executed. That was on 1st December, 1944. A plaque to commemorate Charlie Kerins was erected at Easter 1947 and removed in May 1947 and was subsequently replaced.
​

Picture
Picture
Memorials that have been damaged, removed or vandalised have been an interest of mine for some years. When doing the Local History course, I cited page 105 of Clodagh Tait’s book in more than two or three essays – ‘Tait suggests that the propaganda effect of some memorials and statues could not be overcome, except by their removal.’
 
Queen Victoria’s statue at the Aula Maxima in U.C.C. was removed and replaced with one of St. Finbarr.  It was buried for over 60 years before going back on display. Streetsigns bearing the name Victoria were painted over in recent years. The statue of Victoria that stood at Dáil Éireann was removed and spent a long time in storage before being sent to Australia.
 
Victoria’s was not the only memorial to be removed from the lawn of Leinster House. A cenotaph was erected in 1923 and had two panels, one commemorating Arthur Griffith: the other commemorating Michael Collins. This temporary structure deteriorated for many years before being replaced at a different location at Leinster House.
 
My own list of memorials damaged or removed has reached 65 and the categories of those commemorated varies widely. 

Picture
Picture
‘The commemorative function of monuments was paramount. However, the expression of loss and regret for the dead was inextricably entwined with and, to an extent, secondary to attempts to continue the memory of their owners’ personal and social identities……..
 ….the endlessly manipulable nature of funeral monuments could become invaluable. By choosing an identity from the most socially acceptable elements of one’s past, present and future, and rendering this in stone, a medium which by its very nature could convey added veracity, solidity and permanency, reality could be created and controlled by the patron. Moreover, once reality is constructed in this manner, monuments allow for no doubt or argument. Their owners may be denounced or discredited, but monuments will continue to proclaim their own brand of truth. This is why contemporaries occasionally found it necessary to destroy monuments. The propaganda element inherent in them could not be countered in any other way.’
 Clodagh Tait, Death, Burial and Commemoration in Ireland, 1550-1650, p.105.
Back to the wall of St Iberius’s Church at Broadway in Co. Wexford. A plaque to Fiona Sinnott was removed the night before its planned unveiling in 2008. A replacement plaque was subsequently also removed. The adhesive/render is all that remains.
 
A plaque was erected at Kilmore Quay in 2018.

Picture
0 Comments

Keeping – but Adapting – Customs

3/12/2023

0 Comments

 
Picture
It was an article from 1921 that educated me as to the custom of placing crosses at a hawthorn bush as a funeral party made its way to the cemetery. The article suggested that it had died out in Cong, Co. Mayo and was lessening in the only other part of Ireland where it was known to exist, at Brandy Cross in the parish of Kilmore in Co. Wexford.
 

The Schools Collection from the 1930’s does have a number of mentions recorded by children of the district – James Newport; from Thomas Doyle – of placing a cross at the hawthorn or ash tree on the way to the cemetery.
 
​
A few years back, Aoife directed me towards an article on Irish Archaeology and also a piece by A. M. Cousins on Sunday Miscellany.
 

Picture
Last week, on the last Tuesday in November, the sun was very low in the sky so on my trip to Kilmore Quay, I did well to stay on the road such was the glare from the sun. I saw very little to the side of the road. On the return journey, I was indeed ‘struck by the unusual sight of a heap of wooden crosses’.
 
Crosses used to be made of the left over pieces from the assembly of the coffin. Now the timber crosses, used by funeral directors to stand at the head of a grave until a headstone may be cut, are placed on the pile.
 
The crosses used to be placed at a tree on an old mass path. When a new cemetery was opened, a new tree was planted at a new location. The custom was relocated but continued.


​“When the coffin is supplied, the pieces of wood which remain over are cut into small crosses measuring two feet eight inches in height by eleven inches wide across the arms. These crosses are painted in various colours - green, blue, red and yellow. They have pointed shafts and one, which is meant to be planted in the soil at the head of the grave, is laid on the coffin, while the others are carried by the chief mourners behind. At the cross-roads nearest the cemetery there is always a tree, either hawthorn or ash, at the foot of which the procession pauses, and the cross-bearers lift their crosses to its branches, where they fix them and leave them. In some places the tree has fallen from age or other causes, but its root remains, or at all events the memory of the place where it grew ; and so the practice is continued, and the crosses are thrust in a heap, lying upon one another, till a mound often eight or ten feet high may be seen.”
“Ancient Funeral Custom in Kilmore Parish”:  The Past: The Organ of the Uí Cinsealaigh Historical Society, No. 2 (Dec., 1921), pp. 146-148: Uí Cinsealaigh Historical Society
Picture
Picture
​“Visitors to Kilmore are always struck by the unusual sight of a heap of wooden crosses under a thorn tree on the roadside near Brandy Cross. The crosses are placed there by the mourners attending passing funerals, and I have often been asked for an explanation of the origin and meaning of the custom”
 
“Ancient Funeral Custom in Kilmore Parish”:  The Past: The Organ of the Uí Cinsealaigh Historical Society, No. 2 (Dec., 1921), pp. 146-148: Uí Cinsealaigh Historical Society
“When Grange closed in the 1950s, a communal decision was taken to maintain the ancient ritual and a new sceach between Kilmore village and the new cemetery was blessed and commissioned to carry the crosses for funeral generations. Since then hundreds of funerals have stopped at the crossroads and paused for a moment so that grieving families and friends can leave a wooden cross there to honour the memory of their loved ones and to continue our of most scared customs.”
A. M. Cousins - Funeral Crosses in the Sceach – Sunday Miscellany 03 November, 2019
​
Picture
Picture
“We may ask what connection is there between the crosses which Miss Stokes found near Cong, those she saw near the mouth of the Somme, and those to be still seen in the parish of Kilmore ?

Did St. Fursa establish the custom near his early hermitage in Mayo in the seventh century ? Did he bring it with him to France and establish it on the spot where he first landed there ? And did our Norman ancestors bring it back to Ireland and establish it where they landed ? It is greatly to be regretted that their descendants, after over seven hundred \ ears, should allow it to disappear.

Miss Stokes writes (see appendix VII)?" This Irish custom seems to belong to the worship of the Instruments of the Passion, and to be connected with the Passion of Christ. The hawthorn, the whitethorn, and the blackthorn, all claim to have been used for the Sacred Crown of Thorns. . . . The form of procession, carrying in our hands ivy, sprigs of laurel, rosemary, and other evergreens, is said to be emblematic of the soul's immortality. So the bearing of the cross to a point, where at the meeting of four roads, that road is chosen which leads directly to the grave, is emblematic of the soul's submission ; while the laying down the cross upon the thorny branch that made the Saviour's Crown is an instance of Christian symbolism still lingering among our peasantry that ought not to pass unrecorded."”
​
“Ancient Funeral Custom in Kilmore Parish”:  The Past: The Organ of the Uí Cinsealaigh Historical Society, No. 2 (Dec., 1921), pp. 146-148: Uí Cinsealaigh Historical Society
0 Comments

Baltimore Industrial School

2/12/2023

0 Comments

 

​I don’t think I’ve seen that before

Picture
I have seen qualifications and trades noted on headstones. I have seen names of companies where the deceased worked. I have seen record of involvement with sports and community organisations. These all were important enough in the life of the deceased to be cut into stone.
 
Baltimore Industrial School left its mark on John Griffin – so deep that it stays with him even in the grave. The ‘sea of barbarism’ was how John Griffin described the institution. The Irish Times quotes him in response to the Laffoy Commission report, "It's now there on the record for generations to take heed and realise what happened to us." The engraving on the headstone is a prompt towards that record.
 
The Southern Star article after his dead has the headline ‘Storyteller John could put a smile on anyone's face’ – on a cold November afternoon at St Patrick’s Cemetery in Skibbereen, he did to me.

And if you come, when all the flowers are dying
And I am dead, as dead I well may be
You’ll come and find the place where I am lying
And kneel and say an “Ave” there for me.
And I shall hear, tho’ soft you tread above me
And all my dreams will warm and sweeter be
Picture
0 Comments

    Author

    From Cork.

    Old enough to have more sense - theoretically at least.

    SUBSCRIBE

    Enter your email address:

    Delivered by FeedBurner

    Picture
    Unless otherwise specifically stated, all photographs and text are the property of www.readingthesigns.weebly.com - such work is licenced under a Creative Commons Attribution - ShareAlike 4.0 International Licence


    Archives

    January 2026
    November 2025
    October 2025
    September 2025
    August 2025
    July 2025
    June 2025
    May 2025
    March 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    May 2024
    April 2024
    March 2024
    January 2024
    December 2023
    October 2023
    August 2023
    July 2023
    June 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    March 2022
    November 2021
    June 2021
    May 2021
    January 2021
    December 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    January 2020
    December 2019
    November 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    January 2019
    November 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    December 2017
    November 2017
    September 2017
    August 2017
    July 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013

    Picture
    WRITE A LETTER

    Categories

    All
    Accuracy
    Arts
    Bluesky
    Books
    Branding
    Carlow
    Cavan
    Cemeteries
    Clare
    Commemorate
    Cork
    Dated
    Donegal
    Dublin
    Economy
    England
    Fermanagh
    Gaeilge
    Galway
    Ghostsigns
    Graffiti
    Grammar
    Help
    Heritage
    Holland
    Humour
    Ironwork
    Kerry
    Kildare
    Laois
    Leitrim
    Limerick
    London
    Longford
    Marketing
    Mayo
    Me
    Meath
    Northern Ireland
    Offaly
    Old Ads
    Old Shops
    Other Blogs
    Plaque
    Politics
    Public
    Punctuation
    Religion
    Riddle
    Roscommon
    Scotland
    Sculpture
    Sligo
    Spelling
    Sport
    Stickers
    Street Art
    Submission
    Tipperary
    Tweets
    Wales
    Waterford
    Westmeath
    Wexford
    Wild Atlantic Way

    Blogs I Read & Links

    Thought & Comment

    Head Rambles

    For the Fainthearted

    Bock The Robber

    Póló


    Rogha Gabriel

    Patrick Comerford

    Sentence First

    Felicity Hayes-McCoy

    140 characters is usually enough

    Johnny Fallon

    Sunny Spells
    
    That’s How The Light Gets In

    See That

    Tea and a Peach


    Buildings & Things Past

    Built Dublin

    Come Here To Me

    Holy Well


    vox hiberionacum

    Pilgrimage in Medieval Ireland

    Liminal Entwinings

    53degrees

    Ciara Meehan

    The Irish Aesthete

    Líníocht


    Ireland in History Day By Day

    Archiseek

    Buildings of Ireland

    Irish War Memorials


    ReYndr

    Abandoned Ireland

    The Standing Stone

    Time Travel Ireland

    Stair na hÉireann

    Myles Dungan

    Archaeouplands

    Wide & Convenient Streets

    The Irish Story

    Enda O’Flaherty



    Cork

    Archive Magazine


    Our City, Our Town

    West Cork History

    Cork’s War of Independence

    Cork Historical Records


    Rebel Cork’s Fighting Story

    40 Shades of Life in Cork

    
    Roaringwater Journal





    Picture
    Picture
    Best Newcomer Blog
Proudly powered by Weebly